U.S. Epidemic to be Exposed in Film

Granted what appears to shine with halos of an ‘all American family’ – is the fiction author Shields spoke of, but those fossils that come from child abuse have only been forced-deep. Their roots must be treated; they must become dearly parted from the human make-up, or the wheel of abuse will stay on its deadly path.

For more information on “Abused in America,” including availability of investment options, call Daria Trifu at (1) 646.300.9232.

More analysis . . .

Like most film companies, their production and distribution are separate operating companies, which is standard to the industry, and other than in size, whether you are a Walt Disney that also has its own distribution arm, Buena Vista; these arrangements affords filmmakers or even other non-related concerns engaged in profit, the managerial opportunity to execute equity contracts with much greater speed and ease. Pischuitta, whose given Earthly purpose and one with an extensive so-far charted history as a writer and director, “I wasn’t built to do it all,” he says, engages Adhara Properties, founded by one of his protégés, Daria Trifu, who along with close-knit staff to manage the production functions. “They make sure the conditions of the contracts are upheld. In short, they serve as my guardians for my cast and crew, including the investors who embrace our film’s purpose,” said Director Pischuitta.

Toronto Pictures, Inc. (TTOPF) – is a publicly-traded company engaged in the distribution of movies, including other rights to distribute on VHS, DVD, cable and network TV, as well as soundtrack CDs, posters, games, toys and other merchandising.

Founded in 1996 by Bruno Pischiutta, he is an international celebrated writer and director of films, who is known not only for his high quality production skills, but specifically for his politically and socially oriented non-violent feature films, which are accredited with artistic realism as well as leaving the viewer wanting more.

Their films, whether by Pischiutta or other selected authors give rise to about what is ethically right and no one has to leave the viewing place.

“It is a new world; it is time for a new morality,” said Pischiutta. “We want to use film as an artistic weapon to improve the lifestyle and mentality of the viewers, to make their life better and to make them think in a positive way about major social problems that anguish our world today.”

In order to offer its holders a forum of transparency and a return on their investment, Toronto Pictures is guided by Pischiutta’s basic founding principle. “Masterworks are not exhibited in back alleys, only renowned museums. That is where I choose our holders to relish their magnificence. We aim our arrows for bull’s-eyes to limit risk for fiscal protection. This is a distributor’s central task – we must successfully deliver the message.” According to SEC filings, there are no reports on principal losses by holders.